
ISVS-14 invites those who are involved in studying vernacular things and settings to focus attention to any of the above sub-themes under the main theme to propose research papers and presentations to be shared at the Seminar.
It aims to foster critical dialogue, collaborative exploration, and creative experimentation, encouraging participants to examine how the translation of traditions can produce new design vocabularies that are meaningful, ethical, and contextually relevant. It is a call to reimagine the past as a source of innovation—where tradition is not preserved merely for nostalgia, but transformed to address the pressing questions of our time.
Through a series of keynote lectures, academic presentations, design case studies, exhibitions, and panel discussions, the seminar invites architects, urbanists, planners, researchers, educators, and students to explore the intersection of vernacular heritage and contemporary design engagement.
Sub-theme 1: Understanding Vernacular Heritage

Vernacular architecture, by nature, is an embodiment of cultural expressions, adaptability to climate and intelligence about materials and natural systems surrounding them. Every vernacular setting has to be understood on their own merits. Undeniably, vernacular responses to environmental elements like water, light, ventilation, and thermal comfort are central to this discourse. In this context, this theme investigates how traditional vernacular heritage provide valuable insights into creating culturally rich, environmentally responsive and resource-efficient design solutions for the present and future. Topics under this track may include the study of climate-adaptive design strategies present in vernacular models—such as passive cooling, thermal massing, and spatial orientation—as well as the use of local materials and craft-based construction for sustainable futures. Emphasis is placed on understanding the ecological and spatial logic of the use of traditional systems, and how these can contribute to our understanding of Vernacular Heritage.
Sub theme 2: Designing in Heritage Contexts-

Designing within or around heritage environments poses unique challenges and opportunities. This sub-theme focuses on how architects and designers engage with heritage contexts—such as historic neighborhoods, traditional urban cores, or culturally significant landscapes—through sensitive, site-specific, and adaptive approaches. It invites discussions on balancing preservation and transformation, negotiating regulatory frameworks, and integrating contemporary functions within heritage settings without compromising their integrity. Whether through conservation-led architecture, subtle insertions, or reinterpretive design responses, the sub-theme addresses how contemporary interventions can coexist with and enrich heritage environments, contributing to their continuity and renewed relevance.
Sub theme 3: Designing for Enriching Heritage and Social Engagement

Heritage is not only about the built environment but also about people, memory, and lived experience. This sub-theme emphasizes design as a participatory and socially engaged act that can empower communities and activate cultural narratives. It explores how architecture and design can serve as tools for community building, intergenerational dialogue, cultural revival, and spatial justice. Projects and research that engage in participatory design processes, community heritage initiatives, cultural programming, and storytelling through spatial interventions are particularly welcome. The aim is to foster socially inclusive and community-centered design practices that enrich heritage through active engagement and co-creation.
Sub theme 4: Design Approaches in Vernacular and Heritage Buildings

This sub-theme explores design strategies that are derived directly from the logics, techniques, and philosophies of vernacular architecture. It seeks to understand how traditional construction systems, spatial typologies, material knowledge, and environmental responsiveness can inform contemporary design practices. Case studies, built works, and experimental approaches that reinterpret or hybridize vernacular elements are encouraged. Emphasis is placed on crafts, construction details, material tactility, climate sensitivity, and cultural appropriateness. The sub-theme invites reflection on how these embedded traditions can be reactivated in design thinking—not as a nostalgic return to the past, but as a forward-looking, contextually rooted practice.
Sub theme 5: Promoting Vernacular Culture through Multi-faceted Design Fields

Design, in its broadest sense, is a cultural act that can preserve, amplify, and celebrate vernacular knowledge across disciplines and media. This sub-theme focuses on how design thinking can promote awareness of vernacular culture through visual, spatial, digital, and educational means. It invites contributions that demonstrate how design—be it through exhibitions, installations, pedagogical tools, crafts-based innovation, digital storytelling, or cross-disciplinary collaborations—can serve as a platform for sustaining and reinterpreting vernacular culture in contemporary society. The emphasis lies on activating cultural heritage as a dynamic and living entity that can evolve and thrive through creative and inclusive design engagement.
Sub theme 6:Technology, Documentation, and Digital Design Futures

Emerging technologies offer powerful tools to preserve, visualize, and reimagine vernacular heritage. This theme invites discussions on how digital media—such as 3D scanning, photogrammetry, BIM, and immersive technologies like AR/VR—are reshaping the ways in which heritage is recorded, analyzed, and communicated. It also considers the role of AI, open-source platforms, and digital archives in building collaborative, accessible heritage knowledge systems. Contributions may explore the reconstruction of lost or endangered heritage, as well as how digital technologies can support both conservation efforts and contemporary design inspired by vernacular traditions. The track bridges the past with the future, highlighting the evolving interface between tradition and innovation.
Stay informed with key dates including abstract submission, registration deadlines, and final announcements.
Submission Deadlines:
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Conference announcement:
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Submission of Abstracts:
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Feedback comments and acceptance of abstracts:
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Submission of Full papers:
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Feedback comments and acceptance of final papers:
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Final Submission of the full papers:
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Final Registration:
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Conference Dates:
15 August 2025
15 September 2025
20 September 2025
30 October 2025
15 November 2025
05th December 2025
05th December 2025
17, 18 & 19 December 2025
Templates for submissions:
Abstract Template: Please use this template and structure as indicated
Full paper Template: Please use this template and structure as indicated; use all specifications.
Registration form: To be used to register after the approval of the final paper. (Please note that certificates are issued only to the registered presenters and not unregistered non-participating authors of a paper.
Registration Fees: (per presenter):
Category:
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Local Professionals & Academics
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Local Students & Guests
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International Academics
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International Students
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Online presenters
Fee (USD)
150
75
200
150
100
Payment Options and Bank Details (for International guest):
Bank Details: Standard Chartered Bank
PO Box 29, Manama, Kingdom of Bahrain.
Account Number: 18142560401
IBAN No: BH25SCBLUSD18142560401
Swift Code: SCBLBHBMXXX
Conference venue:
Location:
HO CHI MINH CITY UNIVERSITY OF TECHNOLOGY (HUTECH)
475A Dien Bien Phu st, Binh Thanh Dist, Ho Chi Minh City.
Gmap
Hotline support:
Mobile: 08.67451671
Email: info@vietnamdesign.org.vn

Explore the detailed four-day agenda, including keynote sessions, academic presentations, workshops, and community activities.
ISVS-14 Vietnam – Four-Day Agenda Overview
Day 1 evening | 17th December 2025
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Welcome Dinner
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Networking Dinner with International Delegates & Special Guests
Day 2: Full Day | 18th December 2025
Official Opening & Parallel Sessions
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Registration: Check-in& issue conference kit
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Official Opening Speech – Conference Chair
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Keynote 1: Prof. Pratyush Shankar | Provost and Dean - Navrachna University, India
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Keynote 2: Hoang Thuc Hao, Architect | 1+1>2 Architects, Vietnam
Tea Break
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Keynote 3: Mr. Nripal Adhikary, Architect | ABARI, Kathmandu, Nepal
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Parallel Sessions (Morning): 3–4 sessions, 15–20 papers (Themes 1 & 2)
Lunch
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Parallel Sessions (Afternoon): 3–4 sessions, 15–20 papers (Themes 3 & 4)
Day 3: Full Day | 19th December 2025
Design & Creative Industry Focus
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Registration: Check-in
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Opening Remarks – Conference Chair
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Parallel Sessions (Morning): 3–4 sessions, 15–20 papers (Theme 5: Furniture, Objects, and Product Design)
Lunch
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Parallel Sessions (Afternoon): 3–4 sessions, 15–20 papers (Theme 6: Graphic Design, Fashion, and Textile Design)
Day 4: City Tour (optional) | 20th December 2025
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The participants can register for the tours before 10th Dec 2925 - view tour & register here